Evaluate the effectiveness of your compression - minus the extra loudness - by grouping the two channels and turning them down. 6. Use sidechain compression. Sidechain compression is ideal for balancing the dynamic interplay of drums and other mix elements. Instead of using a channel's input signal to trigger a compressor's sidechain circuit

Simply send your individual drum tracks to an Aux with the Comp FET-76 and dial in anywhere from 10-20dB of compression. Don’t be afraid to flatline it! Then, mix it back in with your dry drum mix. Learn more about Mixing with Compression . This is only one part of mixing with compression!
Attack - I’ll often boost anywhere from 1-2kHz to get a bit more attack or presence on my drums. This is especially useful for kicks, snares, and toms, as it gives you more of the beater sound or the sound of the stick hitting the skin. For snares, this is a great place to get that nice ‘crack,’ which is present in hip-hop.
On both the bass and the kick drum, take a tight Q with a 6 db boost and sweep it up and down the frequency range. It helps to loop and solo each instrument as you do this. In this way, you can identify where the fundamentals lie, where the overtones are at, and where the attack of the kick drum sounds best.
2) Sweep with a Narrow Q to Find Bad Frequencies. To find these troubling frequencies, set your Q to be very narrow. The Q is the width of your EQ curve. Make it thin and add a 7-10 dB boost to it. Slowly sweep it up and down the frequency spectrum until that nasty sound you’re hunting for pops out like a sore thumb.
Typically If the song isn't playing find the first kick drum, adjust the red line beat grid to that (first if the bar) then the follow up grid should be the snare etc so on. Just like old school beatmatching etc. 4. kitchensofabed. • 2 yr. ago.
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drum and bass mixing tips